In this section I would like to give other street photographers around the world the opportunity to present themselves.
It is particularly important for me that the reader learns why we do what we do.
So if you feel addressed, write a few lines about yourself and send them with 2-3 pictures to me.
Note: Each photographer is responsible for the correctness of his submissions (text, images, links).
My Name is Kevin Icabales from the Philippines.
Street photography really reflects my own life. As a street photographer, every story that I see has another stories behind.
I believe that a good street photo should have a sense of mystery where it can touch your feelings. I use my Fujifilm XT20 and my smartphone Huawei Nova 2i.
One thing that Street Photography taught me is having an integrity. In this genre, you really need to show the truth, it cannot be staged. Another beauty of Street Photography is you will learn how to really appreciate the small things that leads you to see the bigger picture clearly.
Hi, I am Hans Stellingwerf alias Straatmoment, which means "moment in the street".
Actually I'm photographing everything ( find and follow me on facebook),
but streetphotography is the biggest pleasure for me to do nowadays !
My "working-area" is at Dam Square and surroundings in Amsterdam where I'm hunting for the nice people to get a streetphoto or portrait.
For me, a good streetphoto is one where the person is the main-object so I mostly try to get him or her closer. Sometimes a tiny person in a totality can be nice or a detailed photo works well too.
I always use a songtitle for a photo, music is my other passion:-))
When I see a photo, it has to catch me regardless of how it's made. Equipment, techniques and rules are not important for me, it's the photographer behind
the camera !
Hy my friends, my name is Franco Pampiro and I'm from Sardinia. I live in Tempio Pausania, a small town in the North of the Isle.
I began photographing in 1976 with a Halina Paulette II, an economic plastic camera.
In 1981 I bought my first SLR, a Minolta SRT-100X with Rokkor 50 mm f/1.4 lens that I still use with satisfaction.
Later I moved to Nikon and in 2001 I went to digital. I recently enjoyed the compactness and lightness of MFT cameras and I'm using an Olympus EM-10 II. During more than 40 years I practiced various genres of photography using different cameras. Currently I use both digital and analog cameras. However I never thought that to make good pictures was necessary to have a professional camera and expensive lens, but rather a good powers of observation.
This is true especially with Street photography, where is more important "to catch the moment" in lieu of technically perfect shots. I shot mainly black and white because
I think that monochromatic is able to better represent the moods. I always loved to capture people, to fix an instant, a place, a mood, a feeling or an emotion to share with
others. In my Street photography I never pose people,
I prefer to capture the spontaneity of expressions and gestures that characterize a slice of real life. I love traveling and getting to know new cultures;
Street photography is the perfect tool to take pictures that tell a story and allows me to bring home a small part of the world.
Travels teach me to appreciate the diversity of peoples, Street Photography helps me to understand these wonderful words of Helen Keller, a deaf-blind american writer: "The best and most beautiful things in the world cannot be seen or even touched, they must be felt with the heart."
I am Birgit Zober from Germany.
I'm a streetphotographer by passion. Photography is in my life since I'm a teenager and was always the most important part of my life concerning creativity.
People and street photography was the latest part of my evolution, it gives me the highest level of satisfaction taking this sujet and evolved to a passion.
Probably I’m not a typical „street-tog“ because my photography take place more often in small villages or rural countrysides than in
I want to work with emotions rather than with geometry, more with the silent unspectacular situations than with those „OH“ and „AH“ shots gaining thousands of likes. All these FB and Instagram groups are not meaningful for me. What counts is the processes of TAKING and CREATING these pictures. Just to be somewhere in-between and part of the today history!
Technical aspects of cameras are not that important for me because they are just working tools. At the moment I have a FujiFilm XT 1 with mainly a 35 mm f 1.4 lense and a Ricoh GR with me. Sometimes also an analogue Voigtländer Bessa R is in use. For picture editing I use Lightroom from Adobe and Nik-SW.
With my photography I want to transfer the daily life moments into picture-poetry in an aesthethical and creative mood. My pictures are NOT like a crime thriller pushing the adrenaline through your body. They are unspectacular and gentle, more like a limerick, which often perform a magic little smile upon your face if the spectator will pause for a small moment to let the meaning sink into his mind and listen to the pacifying attitude.
More and more my pictures went into series with a common underlying theme like „airport-series, „get a move on“ or „ocean love“.
Spezial thanks refer to Carsten Osterwald for showing my work at his street guys project!
My name is Jochem Schmidt
and I am from the USA.
I live on Long Island, New York.
I walk the streets of New York. Central Park, Midtown, Lower East Side, Harlem, Brooklyn, Coney Island, anywhere one finds all kinds of people going about their daily life.
I just like to look at people. There is nothing more fascinating than human beings and how they behave with all their various manifestations, like posture,
facial expression, gesture, movement and voice.
They all express something that betrays their inner little world if you know how to see. Many people these days are forgetting how to see life being expressed by their fellow men. They are constantly fiddling with their electronic devices and miss the beauty of life right in front of them.
When arriving as a young student from Europe in NYC for the first time almost fifty years ago the city of New York in the early 70s will be virtually unrecognizable to the people who live here now and who never experienced that time.
I feel nostalgic for those days before gentrification changed everything.
The New York I knew then was exciting, though dirty, hard-hitting and unsentimental unlike any other city. I prefer film photography and am glad to see it making a comeback. My choice of film is Tri-X400 using a Leica M-2 with a Summilux
35/f1.4 pre-asph lens.
I develop the film myself and make silver gelatin prints on fiber base paper of my best photos. In this digital age craftsmanship and skill are superfluous.
The only thing that counts is individuality and genuineness.
Basically it takes a long time and commitment to become a good photographer;
it doesn’t happen overnight.
The equipment used for the photographs is a Leica M2 rangefinder camera with a Leica Summilux 35/f1.4 pre asph lens.
I am Sebastian Jacobitz, Street Photographer from Berlin and member of the collective
In the past, I traveled through Southeast Asia and also lived in a small village in the Indonesian Jungle for a few weeks where I was able to capture the local life.
Why Street Photography
Whether it is photography or other forms of media, I am mostly interested in real stories and not some fiction. Therefore Street Photography is where I can enjoy Photography the most. I am able to wander the same streets as anybody else, but through my camera, I am able to capture stories that are hidden from most.
Through Street Photography I can tell a different story of my city and show the world from my perspective.
What Makes a good Street Photograph
A good Street Photograph should capture my interest for more than a few seconds. That is only possible if there is a story that is intriguing and has a certain depth.
Of course, there are also Street Photographs that simply look good and are well composed. But an outstanding picture should have it all.
Composition, story and emotion, these are the ingredients for a good Street Photograph in my opinion.
Which Equipment do I Use
For my Street Photography, I rely on two cameras. The Ricoh GR and the FujiX100F are all that I need. They are compact, have a fixed lens and work like a charm for me. I used them in heavy rain, smoke or other harsh conditions and haven't run into a problem yet. Additionally, I sometimes use a flash, either on or off-camera.
What has Street Photography taught me
Throughout the years, Street Photography has taught me a lot of life lessons.
I think one of the most important ones is that You have to leave Your comfort zone to reach Your goals. Street Photography requires You to do things, that might be not "normal" for most of society.
For a good Street Photograph, You have to leave the mindset of always doing what others expect from You. If You want to get that picture, You have to get in there and get it Yourself. Street Photography has also taught me a lot about patience and work ethics. We all know how brutal Street Photography can be.
One day You feel great and get a few decent pictures right away. Then there are also days where You put in a lot of effort for the whole day, without any good results. This is just the nature of Street Photography and shouldn't frustrate anyone too much. In the long run, if You put in an effort, the results will follow.
Why street photography?
Because shooting photos on the street takes me to new places or to see familiar places in a new light, introduces me to fascinating people and their life stories,
and provides a challenging opportunity to quickly adjust my camera
to decisive moments and various light settings.
What do you think makes a good street photo?
A good street photo will grab and keep your attention, is memorable,
causes you to become curious and to ask yourself questions about the storyline,
and elicits an emotional response.
Which equipment do you use?
Sony a6500 with a 35mm equivalent prime lens and 24mm-105mm
equivalent telephoto lens.
What has street photography taught you?
Street photography has taught me about the importance of context in order to more effectively illustrate the storyline or message, to anticipate and find the decisive or interesting moments that are normally invisible to most people, and how to quickly and effectively use my camera for a variety of situations.
WHY STREET PHOTOGRAPHY?
To get to know myself through the exploration of the world around me.
WHAT DO YOU THINK MAKES A GOOD STREET PHOTO?
When you can make converge in a frame content and form. Important thing to clarify in these bloody years: street photography is unstated and unposed.
WHICH EQUIPMENT DO YOU USE?
Digital: Fujifilm X100S, Fujifilm X-E2 with 18mm (equivalent 28mm) and Leica X2. But I am a Fujifilm ambassador so sometimes I use other cameras. Film: Olympus Stylus Epic, Nikon AF 35.
WHAT HAS STREET PHOTOGRAPHY TAUGHT YOU?
Everyday Street Photography teaches me something. I consider it a gymnasium to be a better photographer, because if many people think is just a genre, I think is an approach and a mindset that we can apply to other genres of photography as I do also when busy as commercial photographer.
My name is Tejal Mewar. I am primarily a government officer involved in exports promotion of textiles, living in Gujarat, India.
I started photography as a hobby in 2014.
I have Canon 1100D with 18-55 & 55-250 mm kit lenses. I am a self-taught photographer.
Observing good photographs on various photography related forums and publications has helped me a lot develop my own style.
Every day I am learning something new. And this process is endless.
I like capturing candid moments on streets of the people and their life, and have also got interest in nature and fine art photography.
For me, anything I find unique or amazing for my vision can make me stop and click. In street there is no stage setting, no rehearsals.
One has to keep the eyes open, mind alert, raise camera, aim and click at the right moment.
Some of my work has been recognized at national and international levels.
My photographs have been showcased a number of times, and have been published worldwide. Photography has brought quite a lot of changes in my life. My attitude towards life has changed. It has brought lot of positivity in my life.
My self-confidence has increased a lot. I have become more patient. And more over I have also realized that, all the people in this world are good, only they have different points of view.
I really love photography. It is keeping me happy from inside and taking me away from every worry of my life.
It takes me somewhere that I have never been to.
It helps me preserve these beautiful moments of life.
All I want to say is: Camera is a wondrous tool that you may freeze beautiful moments of life with. And I am so glad I learned this.
Hello everyone, my name is Adriano Cascio.
I was born in Catania in 1967 and I live in Rapallo, a small town near Genoa. Start over twenty years ago as
a self-taught and over time I attended courses and workshops. In these years dedicated to photography, I have made some experiences among the various photographic genres, with particular interest
in street photography. In 2015, he joined ISP - Italian Street Photography, an authorial project of Italian photographers who practice and deal with street photography. Thanks to various personal
activities, I am included by Street Hunters, the leading organization for Street Photography, in the short list of the 20 most influential street photographers of the year
The historian and critic of photography Pippo Pappalardo writes about me:
"His way of photographing, apparently instinctive and immediate, in fact, is the instrument of searching for a space and a time for what he likes to define the photographic soul. Through photography, it leads on itself, a real psychological investigation ". Many will wonder why I do Street Photography and not landscape photography ... well, all very simple. In fact I like to observe people, what transpires from their looks and their simple gestures, I like to transform, through photography, the ordinary in extraordinary.
"I'm obsessed and I enjoy watching people, everywhere .... Everything manifests itself as a show, watching people in everyday life is like going to see a circus performance "
I am convinced that you do not have to live in a big city to make a good Street Photography, but you have to develop the ability to see and show to others, so the ordinary becomes extraordinary even at home. Now you're wondering what camera to use when I go out to take photos of Street ?? My street photography sessions are accompanied by my inseparable Fuji X70 camera, compact and lightweight but with "great" performances!
The Fuji X70 is a compact digital camera with 18.5mm f / 2.8 Fuji lens (equivalent to 28mm on the street !!), X-Trans APS-C CMOS II sensor, EXR II processor image processor and display tactile that can rotate 180 degrees to take photos from above or below; Wifi and touch-screen ... .what do you want more ???
Also when I go out for my street sessions are always very light (even
very light) because I walk a lot and then I have a bag (not photographic), camera, sd cards, batteries (many) ... in short, the necessary in addition to very comfortable shoes of course. I often
take with me a GoPro Hero 4 (which I've never used for street but never sis !!).
I'd like to tell you a lot more but I do not think that's the case ... so I'll just tell you what I've learned so far from Street Photography:
"I love human beings and in the street I do not just photograph him, I often listen to him and I only watch him, I think I learned so much from people on the street ... my eye is trained but I could take street photos even with my eyes closed !! "
See you in the street beautiful people !!!